ShopMy, LTK, or Your Own Links: Who Owns Your Audience
Three models, described accurately, and the question underneath them.
Editorial notes from inside the archive.
Three models, described accurately, and the question underneath them.
Twenty four hours is a strange lifespan for a body of work.
A PDF is accurate on the day it is exported, and on no day after.
What changes when the platform is not part of the transaction.
The links are durable. The places we publish them are not.
A list tells a visitor where to go. A gallery shows them who you are.
A serious watch has a number on its back. A serious print has a number in the corner. The number is the smallest possible piece of provenance, and provenance is what the internet has been worst at producing.
The principles that built Aesop translate, almost directly, to the way software should be built. The interface is the bottle.
The influencer needs a stage. The curator needs a room. We built the room.
Every interface is a sentence written in the grammar of its makers. These are the rules we wrote for REN, and why.
The link-in-bio was a temporary solution to a problem we have since forgotten. The wrong shape, by accident, became the default.
The most articulate thing in a composition is usually what the composition leaves out.